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Axe/Lynx

Even Angels Will Fall

Summary

Teaming up once again with our pals at BBH and acclaimed director Rupert Sanders, we have helped create ‘Even Angels Will Fall’, an angelic TV commercial which forms part of a new advertising campaign to support the new Lynx ‘Excite’ range, that sees divine creatures literally falling from the skies as they are drawn towards the alluring fragrance and its lucky wearer...

Set to the theme tune of the 'Fallen Angels' version of 'Sexy Boy' by Air, the provocative 30 and 60 second adverts show the residents of a picturesque European town going about their business when suddenly a bevy of beautiful winged angels fall from the sky and search out the gorgeous young man who has captivated them by using Lynx Excite for the first time.

The TV campaign follows the successful launch of Lynx Excite late last year, which was one of the first FMCG brands to do so through one of Apple's new iAds, which we also helped create.

Award winning director, Rupert Sanders' trademark for creating visually stunning commercials is perfectly illustrated in this spot as he blends the light-hearted humour expected from an Lynx campaign, with beautiful imagery.

Our team of VFX artists had to overcome a number of complex challenges to create photo-real angel wings in multiple shots on multiple girls.  The R&D Department spent several weeks working alongside our 3D team to devise a good solution for creating rigs and feathers to allow the wings to look and move in a realistic way.

James Sindle, our Lead 3D Artist explains more:  "Aside from the wings themselves we had to track all the movements of each of the angels so we had accurate CG doubles to attach and animate the CG wings to.  Lots of research went into how these wings were going to look including getting access to the Natural History Museum's ornithology department, in which 98% of the world's species of birds are preserved and stored. This enabled us to design wings that looked the part, yet kept totally true to nature.

"Once built, the animation was key. The most challenging part was to make the wings feel attached to its girl, but still feeling independent like a duplicate set of arms."

Credits

Agency

  • Agency: BBH London
  • Producer: Davud Karbassioun, Chris Watling
  • Creative Director: Dominic Goldman
  • Creatives: Hugo Bierschenk, Dean Woodhouse
  • Account Director: Keir Mather

Production

  • Production Company: MJZ
  • Director: Rupert Sanders
  • Executive Producer: Suza Horvat

Editorial

  • Editing Company: Work Post
  • Editor: Bill Smedley
  • Edit Assist: Saam Hodivala

Post-Production / VFX

  • Post-Production / VFX Company: The Mill
  • Mill Office: London
  • Executive Producer: Stephen Venning
  • VFX Producer: Matt Williams
  • Shoot Supervisor: Rob Holmes, Cedric Nicolas-Troyan
  • 2D Lead Artists: Richard Roberts
  • 3D Lead Artists: James Sindle
  • 2D Artists: Ilia Mokhtareizadeh
  • 3D Artists: Adam Burnett, Adam Droy, Alexandra Gasztowtt, Can Y Sanalan, Chris McDonald, Dave Gibbons, Harry Wormald, Jimmy Kiddell, Michael Chapman, Michael Hunault, Robert Holmes, Ross Urien, Tom Bolt
  • Matte Painting: Dave Gibbons, Can Y Sanalan
  • Colourist: Adam Scott
  • Art Department: Jimmy Kiddell, Ross Urien
  • Smoke versioning and mastering: Robin McGloin
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