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Department of Eagles

No-one Does It Like

Summary

No One Does It Like You could equally refer to the contemporary artist who co-directed the video for the single from the Department of Eagles’ second album In Ear Park. The Mill New York worked on the music video, which premiered at a Pop Rally Event at MoMA (Museum of Modern Art), New York.

An idea of skating ghosts led versatile director Patrick Daughters to ask artist Marcel Dzama to work with him on the video. The idea developed into something of an analogy about the futility of war: as clashing regiments of doll-like figures annihilate one another they become ghostly spirits finally united in dance.

The set for the three-day studio shoot was a 30 ft sq area of sand and a 40 x 20 ft blue screen. The Mill's shoot supervisor and co-lead Flame artist Cole Schreiber elaborates: 'With just five dancers, the real challenge was to produce the scale required to create an epic battle. Of the 84 shots used, 82 were on blue screen.'

A variety of techniques were used to achieve the video's unique look. Co-director Marcel painted textural backgrounds using watercolour and acrylic on plexi-glass and canvas. Cole photographed them, and used Flame to paint over the images and combine various paintings. Marcel, Patrick and The Mill all worked closely to help create the vast desert landscape.

For one of the most interesting shots, Westley Sarokin and Cole at The Mill built a fully 3D environment in Flame. Westley projected textures onto geometries that let the camera move vertically from the ground plane all the way into the sky. A particle system was used to scatter bodies throughout the scenes, and 'locked-off' ghosts created in Maya were tracked in. In the early shots stop-frame animation was used for the birds, and the night-time shots were built using still photographs. The Mill also added muzzle flashes, explosions, dust, debris, and blood throughout the video.

Credits

Production

  • Production Company: The Director's Bureau
  • Record Company: 4AD
  • Director: Patrick Daughters, Marcel Dzama
  • Producer: Kim Lana, Melody Roscher

Editorial

  • Editing Company: Final Cut
  • Editor: Michael Wadsworth

Post-Production / VFX

  • Post-Production / VFX Company: The Mill
  • Mill Office: New York
  • VFX Producer: Dan Roberts
  • 2D Lead Artists: Cole Schreiber, Westley Sarokin
  • 2D Artists: Naomi Anderlini, Melissa Graff, Randy McEntee, Anu Nagaraj, Gigi Ng, Dave Parker, Iwan Zwarts, Jeff Robins, Tristian Wake
  • 3D Artists: Mike Dunkley
  • Assist: Albert Cook, Suzanne Dyer, Elizabeth Koenig, Keith Sullivan
  • Colourist: Jamie Wilkinson
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