[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"work-emilia-perez":3,"globals":75,"navigation":88},{"id":4,"status":5,"title":6,"slug":7,"description":8,"client":8,"category":8,"sort":8,"user_created":9,"date_created":10,"user_updated":11,"date_updated":12,"featured_image":13,"body_headline":14,"hover_video":15,"hero_image":16,"hero_video":17,"seo":18,"body_summary":25,"blocks":26,"sector":71},"85267897-9ff5-433a-aa06-f2bfbac3eae8","published","Emilia Pérez","emilia-perez",null,"4e3b8a08-497f-418c-9e0e-7a8a7d3bd56e","2026-06-09T12:24:33.990Z","dbe93a69-3db5-41ae-910d-940d02c562d8","2026-06-11T08:07:03.511Z","2a525ad1-9575-4aa7-b1e1-a2bc5bbf7310","Mexico, today. Lawyer Rita receives an unexpected offer. She has to help a feared cartel boss retire from his business and disappear forever by becoming the woman he’s always dreamed of being.","e2cabea3-f6a7-47fb-aad8-eb9822626bb9","5c839592-89a3-4fa7-a3f2-a3335c7663ab","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=BUO5poYqej0",{"title":19,"meta_description":19,"focus_keyphrase":19,"og_image":19,"sitemap":20,"no_index":23,"no_follow":23,"additional_fields":24},"",{"priority":21,"change_frequency":22},"0.5","weekly",false,{},"\u003Cp>The Mill, previously MPC Paris, handled all aspects of digital image post-production for Jacques Audiard’s latest film, \u003Cem>Emilia Pérez\u003C\u002Fem>, from visual effects (VFX) to image finishing. \u003C\u002Fp>\n\u003Cp>Under the overall supervision of \u003Cstrong>Cédric Fayolle\u003C\u002Fstrong>, our team was involved from the early stages of the project starting in September 2023. The unique aspect of \u003Cem>Emilia Pérez\u003C\u002Fem> is that, although the story is set in Mexico, almost the entire film was shot against blue screens in the Paris region. One of the major challenges in post-production was ensuring visual consistency, making sure the effects remained seamless across \u003Cstrong>more than 350 shots\u003C\u002Fstrong>.\u003C\u002Fp>",[27,34,40,47,53,59],{"id":28,"work_id":4,"collection":29,"sort":30,"item":31},"22a3531a-90dd-4003-a173-51f33636c520","block__media",1,{"id":32,"status":5,"sort":8,"image":33,"video":8},"7433e7e8-0729-41e5-8a5f-e9ffe111324b","f1849695-9962-41ee-8fed-fd32eeaa6d2c",{"id":35,"work_id":4,"collection":29,"sort":36,"item":37},"483f15ee-ba51-42d0-9f0f-2b65abbd18c2",3,{"id":38,"status":5,"sort":8,"image":39,"video":8},"6b6f87e9-984c-4c33-ad85-71fc000d6ac4","a40fe2e9-a032-409b-8ef0-d4c2da1951a3",{"id":41,"work_id":4,"collection":42,"sort":43,"item":44},"c1f019a7-1894-4844-a7ac-1dbd4de3db05","block__text",4,{"id":45,"status":5,"sort":8,"content":46},"6196b655-ab72-4f5b-888e-60fe9cff5842","\u003Cp>\u003Cstrong>Rodolphe Zirah, VFX Supervisor\u003C\u002Fstrong>, and \u003Cstrong>Lise Fischer, 2D Supervisor\u003C\u002Fstrong>, explain that every street, every outdoor, and sometimes even indoor set required digital visual effects. For instance, in the opening scene with Zoé Saldaña, only a few shops were physically present; everything else, from buildings and trees to the ground, was created digitally.\u003C\u002Fp>\n\u003Cp>Similarly, the chase sequence, mostly created using CGI, highlights the significant contribution of the VFX team. For this complex scene, extensive planning was necessary, involving close collaboration with the director. Rodolphe and Lise point out that over 65% of the footage seen in the trailer was digitally modified.\u003C\u002Fp>",{"id":48,"work_id":4,"collection":42,"sort":49,"item":50},"690b7d09-31b9-4a92-8450-6370c02c8c29",5,{"id":51,"status":5,"sort":8,"content":52},"9c81a462-b48b-4788-95ad-1dbcc367faa6","\u003Cp>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Christophe Courgeau, Digital Environments Supervisor\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\">, notes that numerous tests and iterations were needed to balance realism and stylization. The virtual environments, designed to evoke an imaginary Mexico, included digitally created buildings like Emilia’s house and the prison, as well as entirely recreated landscapes.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"201341983":0,"335559739":160,"335559740":279}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Yann Nivet, VFX Producer\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\"> at MPC Paris, coordinated over 70 artists over eight months, working with \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Executive Producer Édouard Valton\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\"> to ensure every stage was completed on time and within budget, especially for the Cannes Film Festival.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"201341983":0,"335559739":160,"335559740":279}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">The close collaboration between the VFX and image post-production teams was crucial. The footage shot by \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Director of Photography Paul Guilhaume\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\"> was color-graded in Resolve by \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Arthur Paux\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\">. \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Brice Leclert, Post-Production Manager\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\">, highlights the responsiveness of his teams in adapting workflows and ensuring smooth communication with the VFX teams.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"201341983":0,"335559739":160,"335559740":279}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">The MPC Paris teams are very proud to have contributed to creating the captivating visual world of\u003C\u002Fspan>\u003Cem>\u003Cspan data-contrast=\"auto\"> Emilia Pérez \u003C\u002Fspan>\u003C\u002Fem>\u003Cspan data-contrast=\"auto\">and extend their thanks to \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Why Not Productions\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\">, \u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\">Jacques Audiard\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\">, and\u003C\u002Fspan>\u003Cstrong>\u003Cspan data-contrast=\"auto\"> Les Artizans\u003C\u002Fspan>\u003C\u002Fstrong>\u003Cspan data-contrast=\"auto\"> for their continued trust.\u003C\u002Fspan>\u003C\u002Fp>",{"id":54,"work_id":4,"collection":29,"sort":55,"item":56},"e4bdf9b8-c383-4d3a-b93a-80be6e0f4c2f",6,{"id":57,"status":5,"sort":8,"image":8,"video":58},"44eb618f-cbc2-41c8-bf8f-f178a1a18d55","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=p6EiOCq3kOc&t=1s",{"id":60,"work_id":4,"collection":61,"sort":62,"item":63},"b6db7edb-20e4-40e5-a312-1824537db70f","block__accordion",7,{"id":64,"title":65,"summary_visible_lines":30,"items":66},"01d99aad-5e3c-4ced-a666-82d3bf78ba97","Credits",[67],{"id":68,"sort":30,"title":69,"summary":8,"content":70,"accordion_id":64},"9cad8b17-ac0b-4019-9fd6-50e025033480","Main Credits","\u003Cdiv class=\"label\">\u003Cstrong>Director\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Jacques Audiard\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>Production\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Why Not Productions\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>Overall VFX Supervisor\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Cédric Fayolle (Les Artizans)\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>MPC VFX Producer\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Yann Nivet\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>MPC VFX Supervisor\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Rodolphe Zirah\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>MPC 2D Supervisor\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Lise Fischer\u003C\u002Fdiv>\n\u003Cdiv class=\"label\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"label\">\u003Cstrong>Post-Producer Manager\u003C\u002Fstrong>\u003C\u002Fdiv>\n\u003Cdiv class=\"name\">Brice Leclert\u003C\u002Fdiv>\n\u003Cdiv class=\"name\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"name\"> \u003C\u002Fdiv>\n\u003Cdiv class=\"name\">\u003Ca href=\"https:\u002F\u002Fwww.imdb.com\u002Ftitle\u002Ftt20221436\u002F\" target=\"_blank\" rel=\"noopener\">IMDB\u003C\u002Fa>\u003C\u002Fdiv>",{"id":72,"title":73,"slug":74},2,"Film & Series","film-series",{"footer_headline":76,"footer_cta_label":77,"footer_cta_url":78,"social_linkedin":79,"social_x":80,"social_facebook":81,"social_instagram":82,"social_youtube":83,"gtm_id":84,"ga4_id":85,"cookie_yes_id":86,"default_og_image":87},"Your next project starts here. ","Get in touch","\u002Fcontact","https:\u002F\u002Fwww.linkedin.com\u002Fcompany\u002Fthe-mill\u002F","https:\u002F\u002Fx.com\u002Fmill__channel","https:\u002F\u002Fwww.facebook.com\u002FMillChannel","https:\u002F\u002Fwww.instagram.com\u002Fmillchannel\u002F","https:\u002F\u002Fwww.youtube.com\u002F@millchannel","GTM-TSWX446J","G-7PY5RT62KG","cce038de85a93758209b9673538157f2","9c5b9101-e481-40b8-8798-2d2ee6c431b6",{"header":89,"footer":109,"footerLegal":114,"footerExternal":124},[90,98,101,104,107],{"title":91,"url":19,"newTab":23,"children":92},"Services",[93,96],{"title":94,"url":95,"newTab":23},"Brand & Content","\u002Fservices\u002Fbrand-content",{"title":73,"url":97,"newTab":23},"\u002Fservices\u002Ffilm-series",{"title":99,"url":100,"newTab":23},"Work","\u002Fwork",{"title":102,"url":103,"newTab":23},"News","\u002Fnews",{"title":105,"url":106,"newTab":23},"About","\u002Fabout-us",{"title":108,"url":78,"newTab":23},"Contact",[110,111,112,113],{"title":99,"url":100,"newTab":23},{"title":102,"url":103,"newTab":23},{"title":105,"url":106,"newTab":23},{"title":108,"url":78,"newTab":23},[115,118,121],{"title":116,"url":117,"newTab":23},"Legal","\u002Flegal",{"title":119,"url":120,"newTab":23},"Careers ","mailto:jobs@themill.com",{"title":122,"url":123,"newTab":23},"Tax Rebate","\u002Ftax-incentive",[125,129],{"title":126,"url":127,"newTab":128},"About TransPerfect","https:\u002F\u002Ftransperfect.com",true,{"title":130,"url":131,"newTab":128},"Alice Vision","https:\u002F\u002Falicevision.org\u002F"]